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Research Paper | English Language and Literature | India | Volume 13 Issue 1, January 2024 | Rating: 5.5 / 10
Passive to Progressive Representation of Three Female Characters in the Movies of Satyajit Ray
Shreya Guha
Abstract: This article explores the intricate relationship between women?s status and patriarchal ideologies in Indian society, particularly in the 19th century Bengal, as depicted through the cinematic lens of Satyajit Ray. It delves into how women?s identities and roles were shaped by societal norms, caste, and class, and how these norms were deeply rooted in historical institutions. The article critically examines the representation of women in three of Ray?s films Devi, Ghare-Baire, and Mahanagar highlighting the transformation of female characters from mere reflections of male dominance to assertive individuals with distinct identities. It discusses how Ray?s films transcend textbook feminism by portraying strong female characters who challenge and navigate the patriarchal setup, reflecting a nuanced understanding of gender dynamics in traditional Indian society. This analysis provides a comprehensive view of women?s evolving roles and the complex interplay of culture, tradition, and gender in Indian cinema.
Keywords: Satyajit Ray, Indian Cinema, Patriarchy, Feminism, 19th Century Bengal, Devi, Dogmatism, Ghore-Baire, Mahanagar, Modernisation
Edition: Volume 13 Issue 1, January 2024,
Pages: 540 - 545