International Journal of Science and Research (IJSR)

International Journal of Science and Research (IJSR)
Call for Papers | Fully Refereed | Open Access | Double Blind Peer Reviewed

ISSN: 2319-7064


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Research Paper | Arts and Humanities | Iraq | Volume 8 Issue 8, August 2019 | Popularity: 6.4 / 10


     

The Role of the Archaeological Artist Tariq Mazloum in Preserving the Identity of the Holy Shrines of Iraq and its Totality the Kufa Mosque is a Model

Mahmmoud Hussein Abdel Rahman Hussein


Abstract: This research aims to show (the role of orientalists and archaeologists) in the preservation of the identity and aesthetic shrines of Imams pure (peace be upon them) and to highlight the pioneering and effective role of the artist archaeological Tariq Mazloum, who completed what ended it Orientalists of reviving the legacy of the nation's Islamic heritage of those beautiful shrines, which hosts Sree our great ancestors of the house of prophecy (peace be upon them), especially when taking the city of Najaf, the pure in Iraq as subjects important a particular impact in the hearts of Muslims, especially the hearts of the general international artists, through it reach the researchers to emphasize the importance of the Arab-Islamic environment, including the tombs of saints in Iraq in particular and the revival of its glorious history technically a religious duty, nationally and humanly, expressed archaeological artist Ernest Walter Andre artist Tariq oppressed Iraqi archaeological influenced by this great history.


Keywords: Archaeological, Tariq Mazloum, identity, holy shrines, Kufa Mosque


Edition: Volume 8 Issue 8, August 2019


Pages: 986 - 993



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Mahmmoud Hussein Abdel Rahman Hussein, "The Role of the Archaeological Artist Tariq Mazloum in Preserving the Identity of the Holy Shrines of Iraq and its Totality the Kufa Mosque is a Model", International Journal of Science and Research (IJSR), Volume 8 Issue 8, August 2019, pp. 986-993, https://www.ijsr.net/getabstract.php?paperid=ART2020255, DOI: https://www.doi.org/10.21275/ART2020255