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Comparative Studies | History | Mexico | Volume 12 Issue 3, March 2023 | Popularity: 4.6 / 10
Migration to the United States in the Plastic Arts
Sofia Gamboa Duarte, Ines del Rocio Gaytan Ortiz, Lidia Medina Lozano, Efren Montoya Ortega
Abstract: The international world of arts revolves around consolidated centers for study and training since the 18th century, as well as for its market and accreditation. Although the sites for exhibition and dissemination have been extended to almost everyone in prestigious biennial exhibitions, festivals or awards, as well as in important museums, the truth is that to access these sites it is necessary to be a worldwide renowned artist or with the relationships that allow the construction of a trajectory. Where can and applicant for the artistic activity, resident in Zacatecas and in any poor and small city in Latin America become professional? Which way to go? What models are necessary to understand to go beyond them and consolidate a name? The United States of America became a benchmark of first importance in the visual arts during the 20th century due to the migration of artists from Europe after the two world wars. Great masters creators of avant - garde and postures, renowned icons of artistic activity contributed to the specialization of galleries and museums, shaped the private collections of wealthy Americans assiduous to luxury with unique riches and references of opulence other than European nobility and bourgeoisie.
Keywords: Migration to the United States, plastic arts s XX & XXI, Zacatecan artists, professionalization in visual arts
Edition: Volume 12 Issue 3, March 2023
Pages: 1673 - 1681
DOI: https://www.doi.org/10.21275/SR23328004817
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