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Research Paper | Arts and Humanities | Mexico | Volume 13 Issue 12, December 2024 | Popularity: 4.4 / 10
Exploring Aesthetic Transitions: The Interplay of Painting and Cinema
Alvaro Luis Lopez Limon, Lidia Medina Lozano, Sofia Gamboa Duarte
Abstract: There is a fundamental difference between cinema and painting. In cinema, the image is mobile, whereas the painted image is static. Painting captures the world and brings it home; it achieves this through its static and immutable nature. ?In cinema, images are in motion, they transport us from the place where we are to the scene of the action. (. . .) Painting brings us home. Cinema takes us somewhere else?. Regarding this, today we reflect on the influence of cinema on painting, that is, showing its desire to reflect movement and the search for new frames. For this work we place three explicit characteristics in cinema and that are transposed in painting, namely, the artificial management of light, framing and the possibility of reflecting movement, and which are our fundamental premise, along with the necessary recognition of cinema as one of the fine arts, just as painting, music, sculpture and literature would be. Thus, it is of our interest to address two significant areas, the path that goes from the advent of cinema, with I. - The precision and ephemerality of its acts, the transition II. - Of the light that illuminates. . ., that fleeting moment and random, until the unprecedented gesture. Thus, we establish a permanent dialogue between cinema and painting, we propose a first exercise that addresses key works of painting for this dialogue, we interweave the presence of some painters and explain their contributions, we go from romanticism to impressionism, to finally rehearse a brief closing action. This article aims to explore the artistic dialogue between painting and cinema, emphasizing their shared pursuit of capturing movement and ephemeral moments.
Keywords: cinema aesthetics, painting and movement, fine arts evolution, art history, interdisciplinary analysis
Edition: Volume 13 Issue 12, December 2024
Pages: 1799 - 1803
DOI: https://www.doi.org/10.21275/SR241223222944
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